When you think of the band Green Day, you typically aren’t inclined to think Broadway as well. I mean, who would? Unknown to many people, the album, American Idiot, was intended for far more than awards and a way for the band to increase their relevance. American Idiot was created to tell a very political and personal story of young adults trying to find their way, their purpose, in a post 9/11 world. It’s a story of young adults trying to understand the events that occurred on a day that shook America to its very core and changed the nation’s outlook of safety, trust of any human from the middle east or with middle eastern ties, and trust that our government will act and react appropriately. Although this show is set in a post 9/11 era, the same questions asked then can still be asked today: Why must people die in the name of religion? What can be made of these horrific acts? What is the purpose of life?
One year ago, I decided that I wanted to propose this show to the company. It wasn’t until after doing my homework and researching the history of the show and album that I realized the depth from which the rage and love of this show extends from. In unique ways, this story can speak to each of us on different and personal levels as humans trying to find their way, purpose, and meaning in life. Everyday since deciding to direct American Idiot, I have become more in tune with my teen angst years and have done nothing but eat, breathe, and live Green Day. This summer, Victoria and I dissected the numbers of the show, created character plots, and met weekly to choreograph and block. This past month, our cast and production staff have worked tirelessly and without rest to give to you a rockin’ roller coaster of a show that calls for creativity and individualism from all involved. Thank you to all of the members of the production staff who have worked so hard to make this show as incredible as it is (and to Rob for keeping me sane). Thank you to the ROTC, the RSA, the Wilmington Drama League, and the REP for your contributions to the show. To the cast, thank you for being a part of this experience and for going above and beyond my vision. To my friends and family, thank you for putting up with me this past year when all I would do was listen to Green Day or talk about the show.
And finally, thank you for taking the time to come and see our rendition of this amazing production. While watching this show, I ask that you not only listen to the music, which carries the plot, but see the characters as more than just emotion-filled young adults and the way they develop and tell their story.
With rage and love,
Taylor Mazzarella
