-
Moisés Kaufman
Moisés Kaufman is a Tony and Emmy nominated director and playwright. His play 33 Variations, starring Jane Fonda, was nominated for five Tony awards (including one for Ms. Fonda). Previous to that, Mr. Kaufman directed the Pulitzer and Tony award-winning play I Am My Own Wife, earning him an Obie award for his direction as well as Tony, Drama Desk, Outer Critics Circle, and Lucille Lortel nominations. His plays Gross Indecency: The Three Trials of Oscar Wilde and The Laramie Project have been among the most performed plays in America over the last decade. Mr. Kaufman also directed the film adaptation of The Laramie Project for HBO, which was the opening night selection at the 2002 Sundance Film Festival and won the National Board of Review Award, the Humanitas Prize, and a Special Mention for Best First Film at the Berlin Film Festival. The film also earned Mr. Kaufman two Emmy Award nominations for Best Director and Best Writer.
-
Moisés Kaufman (cont'd)
He is the Artistic Director of Tectonic Theater Project and a Guggenheim Fellow in Playwriting. Other credits include Bengal Tiger at the Baghdad Zoo (Mark Taper Forum); Macbeth with Liev Schreiber (Public Theater); This Is How It Goes (Donmar Warehouse); One Arm by Tennessee Williams (Steppenwolf Theater Company); Master Class with Rita Moreno (Berkeley Repertory Theater); and Lady Windermere’s Fan (Williamstown Theater Festival).
-
Leigh Fondakowski
Leigh Fondakowski was the head writer on The Laramie Project, a co-writer of The Laramie Project: Ten Years Later, and an Emmy-nominated co-screenwriter for the HBO adaptation of The Laramie Project. She has been a member of Tectonic since 1994. Her original works as playwright/director include SPILL (Swine Palace, TimeLine Theater, Ensemble Studio Theatre, 2015 Kilroy List); The People’s Temple (Berkeley Repertory Theatre, American Theater Company, the Guthrie Theater, Glickman Award for Best New Play in the Bay Area 2005); and I Think I Like Girls (Encore Theater, Bay Area Critics Circle nomination for Best Production, voted one of the top ten plays of 2002 by the Advocate).
