Welcome to Sewickley Academy’s production of Fiddler on the Roof!
Even though this 1964 musical is about a Jewish shtetl in Russian at the turn of the century, its’ story is still very relevant today. This musical masterfully weaves together many themes; from love and family, to anti-semitism and women’s rights. The most powerful theme is the decision to preserve traditions or allow them to adapt with the ever-changing world around them.
These “traditions” are what I was most nervous about before we began. Knowing very little about the Jewish faith, I was concerned about staying true to religious customs and beliefs. In the fall, I read Barbara Isenberg’s book “Tradition” about the making of both the original musical and corresponding film, and while this proved theatrically informative, it did not provide me with the details and background of Jewish traditions that I so desperately needed. Luckily, I did not have to look too far for help! Just like the village of Anatevka pulling together to help each other, our Sewickley Academy community was eager to come to my aid. Jessica Hecht, MS English, was my first lifeline. She graciously took time out of her schedule to answer questions on all things Jewish, and provide me with the knowledge to accurately direct both the Sabbath Prayer and the Wedding. Next Nataliya Di Domenico, SS Global Studies, came to rehearsal and educated the cast on life during Imperial Russia; as well as assisted with dialects. Then Sewickley Academy Senior, Jill Pollon, came in and talked with the cast about Jewish traditions in her family, and how some have adapted over time.
My other goal was to provide a meaningful experience for our actors that prepared them for the challenging material this production required. That meant changing traditions as well. From journaling and silly vocal warm-ups, to improvisation and ensemble building, this amazing cast stayed right in stride with me; especially during some of the more strange moments (thank you Mrs. Rankin!). I can not thank them enough for trusting in my “style” and making this entire process so rewarding!
Finally, I would be remorsed if I did not acknowledge a dear friend who passed away in the fall, and who truly loved this show. He was the first person I thought of when I knew I would be directing this production, and I was so excited to have his counsel. Although he is not with us in the audience, his infectious joy, endearing heart, and supreme comic timing are felt all over this show! To Life, L’Chaim, To Leon.
This process has been so incredibly inspiring, and I could not be more proud of how this entire community has supported each other in helping to bring this important story “to life”. Thank you to everyone who had a hand in making this production possible… and thank YOU for joining us!
Enjoy the show,
Joe Jackson
Director of Theater Arts
