A NOTE FROM THE DIRECTOR:
Many years ago, I had the pleasure of seeing "Chicago" when it premiered in cinemas in 2002. Looking back, it seems like quite a long time ago. It was at a time when movie musicals had faded into a quiet obscurity, and true musical theatre fans were relying on classics from the 1940's through the 1960's to satisfy their desire for the movie musical. Although the stage version of "Chicago" had been around since the 1970's, this was my first exposure to the story of Roxie Hart-the sweetest little jazz killer.
As I got ready to see the film, I remember my grandmother, Mimi telling me that I was "just going to love it." She had seen it before me, and knew that it was right up my alley. She was right. From the moment "All That Jazz" opened the film, I was engrossed. Immediately after, I went right out and bought the CD soundtrack. I believe I saw the film at least two more times in the theater before "Chicago" took over the 75th Annual Academy Awards that year, with an impressive 13 nominations, and 6 wins, including Best Supporting Actress for Catherine Zeta-Jones, and Best Picture of the Year. 4 out of the 5 principal actors were nominated that year. That says alot about the quality of the picture. In fact, looking back, I think that it was "Chicago" that made the movie musical popular again.
It wasn't until many years later that I added "Chicago" to my list of desired productions to direct. It felt almost unattainable, until this year. I knew that I had the potential ensemble of talent in our organization to take on these characters. It was almost a dream. Each person you will see in this production fits my vision as Director down to the letter. It is my hope that you will agree.
On a more personal note, I would like to thank several individuals who go above and beyond to make these productions a success. Mrs. Khristy Hullett, Mr. Shannon Howerton and Mr. Johnathan Hart. You keep me sane in a world of busy schedules, and never allow my creativity to flounder. You lend a hand wherever needed, and lead by example in our Theatre Arts organization. None of this would be possible without your contributions. From the bottom of my heart, thank you.
I would like to dedicate this production to two people. First, to my grandmother, Mimi who knew that "Chicago" would be something that I would love. Mimi was born in 1926 (the same year the play takes place), so I like to think she is watching over this show and leading the round of applause.
Secondly, to my Mom. My musical buddy. My co-costume designer. Since "Chicago" marks the fifth show we have collaborated on together, I felt it fitting to honor her. Here's to many more wardrobe shopping trips and "Chicago" singalongs on road trips. To quote Velma Kelly, "I simply cannot do it alone." Thanks, Mom.
As we usher in the 2020's, let start with a celebration of the Roaring 20's of the last century.
Now, sit back and enjoy the "Razzle Dazzle" of "Chicago."
Enjoy the show.
